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bach christmas oratorio in english

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Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No.2 Evangelist: "Es begab sich aber zu der Zeit" da Anthony Rolfe Johnson and English … Bach then embarks upon a journey back to the opening key, via the dominant A major of Part V to the jubilant re-assertion of D major in the final part, lending an overall arc to the piece. Part V is written for the Sunday after New Year's Day. The edition has not only a title—Weihnachts-Oratorium—connecting together the six sections, but these sections are also numbered consecutively. Each part is a cantata for 1 of 6 feast days within the 12 days of the Christmas season: The story begins with the birth of Jesus (for Christmas Day). As John Butt has mentioned,[72] this points, as in the Mass in B minor, to a unity beyond the performance constraints of the church year. In addition to the new compositions listed above, special mention must go to the recitatives, which knit together the oratorio into a coherent whole. It may have even been the case that the Christmas Oratorio was already planned when Bach wrote the secular cantatas BWV 213, 214 and 215, given that the original works were written fairly close to the oratorio and the seamless way with which the new words fit the existing music.[70]. In some performances sung by the Angel (soprano). Share on Facebook. Ach mein herzliebes Jesulein, Like for his other oratorios, and his Passion settings, Bach employed a narrative based on the Gospel in his Christmas Oratorio. The first English-language monography on the Christmas Oratorio was published in 2004. 39 in part IV. Dass ich nimmer vergesse dein! It included at least three feast days that called for festive music during religious services: apart from Christmas (Nativity of Christ) and Epiphany (Visit of the Magi) the period also included New Year's Day (1 January), in Bach's time still often referred to as the Feast of the Circumcision of Christ. The instruments used in part II are 2 oboes d'amore, 2 violins, viola, and the basso continuo. The original score also contains details of when each part was performed. J.S. In the early 1730s, Bach composed a number of secular cantatas, including: Movements from the BWV 213, 214 and 215 cantatas form the basis of several movements of the Christmas Oratorio. This page was last changed on 29 December 2020, at 11:00. The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. Part IV is written in F major (the relative key to D minor) and marks the furthest musical point away from the oratorio's opening key, scored for horns. The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). [43][44][45] The first chorale tune appears in the 5th movement of Part I: it is the tune known as Herzlich tut mich verlangen, that is, the same hymn tune which Bach used in his St Matthew Passion for setting several stanzas of Paul Gerhardt's "O Haupt voll Blut und Wunden" ("O Sacred Head, Now Wounded"). Markus Rathey's book is the first thorough study of this popular masterpiece in English. Were he to have followed the calendar, the story would have unfolded as follows: This would have resulted in the Holy Family fleeing before the Magi had arrived, which was unsuitable for an oratorio evidently planned as a coherent whole. The Christmas Oratorio is a particularly sophisticated example of parody music. Zu ruhn in meines Herzens Schrein, Presented as an evening, all six cantatas, it is a challenging form. Karl Richter’s famous 1965 recording of Bach’s Christmas Oratorio with a quartet of stunning soloists 3 LP gatefold. The date is confirmed in Bach's autograph manuscript. In his German-language church music, Bach uses Lutheran chorale melodies. The Christmas Oratorio (German: Weihnachts-Oratorium) is a musical composition written by Johann Sebastian Bach. 巴赫康塔塔《尊主颂》指挥:哈农库特 勋伯格合唱团 - Magnificat BWV 243 - Nikolaus Harnoncourt However, numbers 10, 12, 14, 17, 18, 19 and 21 in Part II call for 2 oboe d'amore and 2 oboe da caccia. Bach: Christmas Oratorio Bach, Johann Sebastian (Composer), Gardiner, Sir John Eliot (Conductor), Monteverdi Choir (Orchestra), English Baroque Soloists (Orchestra), Argenta, Nancy (Performer), Otter, Anne Sofie von (Performer), Rolfe Johnson, Anthony (Performer), Blochwitz, Hans-Peter (Performer) & 5 more Format: Audio CD The instruments used in part II are 2 flutes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, and the basso continuo. Part III is written for the third day of Christmas (December 27). The instruments used in part I are 3 trumpets, timpani, 2 flutes, 2 oboes (each player also plays an oboe d'amore), 2 violins, viola, and the basso continuo. Impachetare gratuita; Livrare gratuita la comenzi peste 59 de lei; Poti returna acest produs in 14 zile; Comenzi telefonice: 0725.982.036 The alto aria in Part III, "Schließe, mein Herze" was originally to have been set to the music for the aria "Durch die von Eifer entflammten Waffen" from BWV 215. Stream songs including "Christmas Oratorio, BWV 248: I Chorus: "Jauchzet, frohlocket"", "Christmas Oratorio, BWV 248: II Evangelist: Es begab sich aber zu der Zeit"" and more. 2 Evangelist: "Es begab sich aber zu der Zeit" by Anthony Rolfe Johnson and English … 7, 9) Chorale Text: John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey, an associate professor at Yale University, recently published a 432-page book on one of Johann Sebastian Bach’s most famous pieces: the Christmas Oratorio. All three of these oratorios to some degree parody earlier compositions. Bach, Background note by Neil Jenkins on his translation of Bach's Christmas Oratorio, 1999, Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Genug, mein Schatz geht nicht von hier, Und da die Engel von ihnen gen Himmel fuhren, 3 trumpets, timpani, 2 flutes, 2 oboes, strings (violin I, II, viola) and continuo (cello, violone, organ and bassoon), 3 trumpets, timpani, 2 flutes, 2 oboes, strings and continuo (cello, violone, organ and bassoon), 2 flutes, 2 oboe d'amore, 2 oboe da caccia, strings, continuo, Recitative (Evangelist, tenor; Angel, soprano), 2 oboe d'amore, 2 oboe da caccia, strings, continuo, 2 oboe d'amore, 2 oboe da caccia, continuo, Trumpet I, II, III, timpani, flute I, II, oboe I, II, strings, continuo, Flute I, II, oboe d'amore I, II, strings, continuo, Flute I, II, oboe I, II, strings, continuo, Horns I, II, oboe I, II, strings, continuo, Oboe d'amore I solo, organ senza continuo, Trumpet I, II, III, timpani, oboe I, II, strings, continuo, BWV 248a (lost church cantata); Words: Georg Werner, 1648, Before his Leipzig period he composed, as part of. Bach: Christmas Oratorio, BWV 248 / Part Four - For New Year's Day - No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen" von Nancy Argenta & Olaf Bär & English Baroque Soloists & John Eliot Gardiner The third major new piece of writing (with the notable exception of the recitatives), the sublime pastoral Sinfonia which opens Part II, was composed from scratch for the new work. The six cantatas which comprise the oratorio were designed for Christmas Day and the two following days, the Feast of the Circumsion, the Sunday after New Year and the Feast of the Epiphany. was the title of the cantata that paid homage to the Saxon Electress and Polish Queen Maria Josepha, the music of which Bach reworked to make one of the most successful pieces of Christmas music of all time. Examples: for his 1973 recording, The different types of oboes referred to above are mostly called for at different points in each section. BACH - CHRISTMAS ORATORIO (BWV 248) IV - VI Sir John Eliot Gardiner conducts The Monteverdi Choir and English Baroque Soloists in a performance of Bach's Christmas Oratorio (IV-VI), a series of cantatas intended for performance on the major feast days of the Christmas period. [46], Martin Luther's 1539 "Vom Himmel hoch, da komm ich her" melody appears in three chorales: twice on a text by Paul Gerhardt in Part II of the oratorio, and the first time, in the closing chorale of Part I, with the 13th stanza of Luther's hymn as text. On this occasion, however, the parody technique proved to be unsuccessful and Bach composed the aria afresh. The instruments used in part II are 2 horns, 2 oboes, 2 violins, viola, and the basso continuo. In detail: The oratorio was written for performance on six feast days of Christmas during the winter of 1734 and 1735. For the 1723–24 Christmas season, during his first year as musical director of Leipzig's principal churches: Christmas Day: repeat performance of BWV 63, For the 1724-25 Christmas season, as part of his. First Sunday after Christmas (31 December): First Sunday after Christmas (30 December 1725): The chorale melody used in No. The scoring below[72] refers to parts, rather than necessarily to individual players. It is a reference to the pastoral music tradition of shepherds playing. The oratorio was written in 1734. 7 of part I ("Er ist auf Erden kommen arm") and even more ingeniously in the recitatives nos. In his German-language church music, Bach uses Lutheran chorale melodies. Stream songs including "Christmas Oratorio, BWV 248: No.1 Chorus: "Jauchzet, frohlocket"", "Christmas Oratorio, BWV 248: No.2 Evangelist: "Es begab sich aber zu der Zeit"" and more. Bach abandoned his usual practice when writing church cantatas of basing the content upon the Gospel reading for that day in order to achieve a coherent narrative structure. [71] A new edition has been worked up by Neil Jenkins. Adherents of theories specifying small numbers of performers (even to 'One Voice Per Part') may however choose to use numbers approaching one instrument per named part. The Gospel narrative of this oratorio followed, to a certain extent, the respective Gospel readings of the church services where the six cantatas of the Christmas Oratorio were to be performed for the first time. It was preceded by Advent, and followed by the period of the Sundays after Epiphany. It tells the story of the birth of Jesus, based on the gospels of Matthew and Luke. J.S. Instead, he used the model from BWV 215 for the bass aria "Erleucht' auch meine finstre Sinnen" in Part V. Similarly, the opening chorus to Part V, "Ehre sei dir Gott!" That Bach saw the six parts as comprising a greater, unified whole is evident both from the surviving printed text and from the structure of the music itself. English Translation in Interlinear Format Cantata BWV 248/1 - Shout for joy, exult, rise up, glorify the day Christmas Oratorio I: Event: Cantata for Christmas Day Readings: Epistle: Titus 2: 11-14 / Isaiah 9: 2-7; Gospel: Luke 2: 1-14 Text: Christian Friedrich Henrici (Picander); Paul Gerhardt (Mvt. Coro: Jauchzet, frohlocket, auf preiset die Tage (D major) 2. It consists of six cantatas that between them tell the story of the Nativity, and the events of the following week or so. The music represents a particularly sophisticated expression of the parody technique, by which existing music is adapted to a new purpose. Nevertheless, on two occasions Bach abandoned the original plan and was compelled to write new music for the Christmas Oratorio. Christmas message Christmas midnight mass christmas miracle Christmas money Christmas morning Christmas motif Christmas movie Christmas music Christmas night Christmas novel Christmas Oratorio Christmas package Christmas palm 5); Martin Luther (Mvts. The opening chorus, “Celebrate, rejoice, rise up and… glorify what the Highest has done today,” was completely original. Each part is performed for a certain day in the Christmas season. In the Christmas Oratorio, Bach took virtually every solo from sacred music he had composed earlier and combined them with other choruses and instrumentals that were both new and old. 64, closing chorale of Part VI). Bach: Christmas Oratorio John Eliot Gardiner , English Baroque Soloists 0.0 / 10 ( 0 voturi) Nota ta: It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. In Germany, Bach’s Christmas Oratorio is the seasonal equivalent to the English-speaking world’s Messiah. It was incorporated within services of the two most important churches in Leipzig, St. Thomas and St. Nicholas. Ausgabe, "Ein weiterer Kantatenjahrgang Gottfried Heinrich Stölzels in Bachs Aufführungsrepertoire? And never mair from thee depart. Bach (1685-1750) created his Christmas Oratorio during 1734 for performance in church over the ensuing Christmas period. Bach: Christmas Oratorio WEIHNACHTS-ORATORIUM, BWV 248. The two most popular vocal scores for Bach's Christmas Oratorio are shown below. Mastered from original tapes and pressed on 180g vinyl Includes artist photos and liner notes in English and German. First full-length English study of Bach’s Christmas Oratorio published. Some of the music is based from Bach's other works. Prepare thy creddil in my spreit, ‘There is no more life-giving, joy-enhancing experience in Bach’s music than a great performance of the Christmas Oratorio,’ writes the composer’s biographer Nicholas Kenyon. Before Bach composed his Christmas Oratorio for the 1734–35 Christmas season in Leipzig, he had already composed Christmas cantatas and other church music for all seven occasions of the Christmas season: Four of these third cycle cantatas for the Christmas season, BWV 110, 57, 151 and 16, were on a text from Georg Christian Lehms's Gottgefälliges Kirchen-Opffer cantata libretto cycle, which had been published in 1711. Parts I and III are written in the keys of D major, part II in its subdominant key G major. (Sound, you drums!) The same melody reappears in the last movement of the oratorio (No. By notational convention the recitatives are in common time. Bach composed the six-part “Christmas Oratorio” (“Weihnachts Oratorium”) in 1734 for two Leipzig churches, St. Thomas and St. Nicholas, for which he served as music director. Chorales. Mach dir ein rein sanft Bettelein, (T) Evangelist And there were shepherds in that very region in the field nearby their sheepfolds, who kept their watch by night over their flocks. [26] Bach reused the music of this cantata in the 1725 first version of his Easter Oratorio. The Christmas Oratorio is by far the longest and most complex work of the three.[1]. Jordan Smith-Sep 25, 2016. Until 1999 the only complete English version of the Christmas Oratorio was that prepared in 1874 by John Troutbeck for the music publisher Novello. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. Oh, my deir hert, young Jesus sweit, Bach took the majority of the choruses and arias from works which had been written some time earlier. The oratorio has 6 parts. Listen to J. S. Bach: Christmas Oratorio by English Baroque Soloists & John Eliot Gardiner on Apple Music. The continuo part is open to interpretation in matters of scoring. The words tell the story of the birth of Jesus. [35][39] The trio aria in Part V "Ach, wenn wird die Zeit erscheinen?" The total running time for the entire work is nearly three hours. Before Bach wrote the Christmas Oratorio, he already wrote some cantatas for the Christmas season. Tweet on Twitter. Some of the music is based from Bach's other works. Recit. Parts Part I. Similar Terms. Evangelista: Es begab sich aber zu der Zeit (B minor) 3. [88] It was a translation of a 2002 Dutch-language study by Ignace Bossuyt [fr; nl].[89]. The Shepherd Cantata, BWV 249a, first performed on 23 February 1725, one of Bach's secular cantatas, is an early example of such cantata. 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